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JOHN SAYLES TALKS HIS TEX-MEX MASTERPIECE, LONE STAR
WORDS IAN FREER
THERE’S A MOMENT that happens between seasoned players when the song stops being a structure and starts being a language. For Austin-bred guitarists Jesse Dayton, Ian Moore and Johnny Moeller, that mo
AGAINST A BACKDROP OF DISASTER AND DEVASTATION, THE LOST BUS TELLS AN UNBELIEVABLE TRUE STORY. THOSE BEHIND IT DETAIL AN INTENSE FILMMAKING MISSION
From his unnerving shorts to his three previous feature films (Hereditary, Midsommar, Beau is Afraid), Ari Aster is no stranger to controversy, but Eddington, his neo-western set during the height of
HOW A CAREER CRIMINAL PULLED SHANE BLACK BACK TO FILMMAKING WITH PLAY DIRTY
The grand parade of lifeless packaging? Far from it, as this much-delayed blockbuster reissue of one of prog’s most fascinating and frustrating albums finally proves.
SFX’s time machine hurls us back to a random month once again