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THE DIRECTOR OF PERFECT DAYS ON THE PERFECT SONGS OF HIS MOVIE C
US post-rockers bring out the bangers for their larger-than-life debut.
WE WERE THE first band of our generation that started to grow up,” Billy Corgan says, reflecting on the making of the Smashing Pumpkins’ 1995 grand opus, Mellon Collie and the Infinite Sadness. “The b
Where would movies be without music? Sure, images, story and dialogue are all important. But cinematic soundtracks provide that human connection – the key to character motivation and emotional truth.
THE STARS REVEAL THE SONIC DELIGHTS GUARANTEED TO GET THEM GOING...
At the start of the 1990s, Nick Heyward was at his lowest ebb. His third solo album, I Love You Avenue, had failed to chart in 1988. Warner unsurprisingly let him go. So had Heyward’s manager and his
The great and good of progressive music give us a glimpse into their prog worlds. As told to Grant Moon.
