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THE FIRST OMEN DIRECTOR ARKASHA STEVENSON ON MAKING HER MARK WITH THE HORROR PREQ
NEIL MARSHALL’S CLAUSTROPHOBIC CREATURE-FEATURE THE DESCENT WAS DOUSED IN BLOOD AND TEARS. TWENTY YEARS ON, WE REUNITE HIM AND HIS CAST TO CELEBRATE THEIR UNCOMPROMISING TUNNEL-VISION
So we’re back, for another “celebration of the mysterious, the miraculous and the downright weird” – but does our motorcycle-mad host the Reverend Lionel Fanthorpe have any new tricks up his sleeve in
In an unpredictable landscape, horror has emerged as ...
FINAL DESTINATION BLOODLINES DIRECTORS ZACH LIPOVSKY AND ADAM B. STEIN ON THAT BRAVURA OPENING SEQUENCE
STEPHEN KING’S STORY THE RUNNING MAN IS ABOUT A GUY RISKING HIS LIFE ON LIVE TV. AND, AS THE ALWAYS KINETIC EDGAR WRIGHT AND HIS QUICK-WITTED CAST TELL US, THEIR NEW SPIN ON IT HAS NO INTENTION OF STANDING STILL
The very first moment we see Tilda Swinton in the history of cinema is just off-screen in Derek Jarman’s Caravaggio, looking like any one of a rabble of young men who are watching a fist fight and che