A beastly new vision bursts forth

STEPHEN KING’S STORY THE RUNNING MAN IS ABOUT A GUY RISKING HIS LIFE ON LIVE TV. AND, AS THE ALWAYS KINETIC EDGAR WRIGHT AND HIS QUICK-WITTED CAST TELL US, THEIR NEW SPIN ON IT HAS NO INTENTION OF STANDING STILL

THE FILMMAKER RETURNS TO HIS ROOTS WITH LOW-BUDGET, BLACK-AND-WHITE SCI-FI BULK

ONE OF THE MOST HE’S CEMENTED HIMSELF AS EXCITING ACTORS AROUND. NOW, AS HARRIS DICKINSON UNVEILS HIS DIRECTORIAL DEBUT, HE TELLS US WHY HE KEEPS PUSHING THINGS FORWARD

Call her a chameleon, call her a shape-shifter, call her the heir apparent to transformative performers from Lon Chaney to David Bowie: since the start of her screen career Tilda Swinton has taken joy

NEIL MARSHALL’S CLAUSTROPHOBIC CREATURE-FEATURE THE DESCENT WAS DOUSED IN BLOOD AND TEARS. TWENTY YEARS ON, WE REUNITE HIM AND HIS CAST TO CELEBRATE THEIR UNCOMPROMISING TUNNEL-VISION

John Maybury was a fellow graduate of the Derek Jarman school of filmmaking, and it was in those heady, early days that he first became aware of Tilda Swinton. The pair worked closely on two challengi