MIDWAY THROUGH MONSTER: THE ED GEIN STORY, the title character stares into the camera and warns: “You shouldn’t be watching this.” He’s talking to two strangers who’ve interrupted him in the bloody af

Tales of the uncanny from a master of ambiguity

Dir Dean Puckett, UK 2025 On digital platforms Folk horror has been a thing for a long time, but it’s an over-used term these days. In film terms it appears to mean something heavily influenced by Wit

IN AN EARLY SCENE IN LYNNE Ramsay’s brutal, beautiful Die My Love, we see Jennifer Lawrence crawling through a sunny, grassy field on all fours, low to the ground like a sultry panther, as we hear a b

Robert Hutton on Cinema SAM TAYLOR/NATIONAL THEATRE ● ...

STAY still,” a strong, male voice commanded from the gloom. The autumn sun was setting on Wildwood Cottage, silhouetting its undulating structure dramatically against a charcoal and orange sky. “Well,