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ALEX GODFREY ON THE STRANGE COMFORT O
In an unpredictable landscape, horror has emerged as ...
NEIL MARSHALL’S CLAUSTROPHOBIC CREATURE-FEATURE THE DESCENT WAS DOUSED IN BLOOD AND TEARS. TWENTY YEARS ON, WE REUNITE HIM AND HIS CAST TO CELEBRATE THEIR UNCOMPROMISING TUNNEL-VISION
LEGENDARY AUTHOR AND CRITIC KIM NEWMAN BRINGS US HIS UNIQUE TAKES ON CULT CINEMA
In 1994, at Gilstead Middle School, the halls buzzed with gossip. Did you hear? Alex and Matthew wore women’s underwear. These were not the cool kids either; these were the ‘swots’, the musical theatr
NICK DE SEMLYEN ON WHY THE NAKED GUN GIVES HIM HOPE FOR THE FUTURE OF SILLY FILMS
From his unnerving shorts to his three previous feature films (Hereditary, Midsommar, Beau is Afraid), Ari Aster is no stranger to controversy, but Eddington, his neo-western set during the height of