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DIRECTOR MALCOLM WASHINGTON ON PLAYING ALL THE RIGHT NOTES FOR HIS AUGUST WI
L in-Manuel Miranda likes to tell the story of his first piano recital at age six. He played one song and received a round of applause. So he played another one. More applause followed. Spurred by thi
‘I was born twice,’ said the great Russian bass Feodor Chaliapin. ‘In Kazan I opened my eyes to life, and in Tbilisi to music.’ What is it about music and the Georgians? Some members of that Caucasian
December round-up Although he’s been writing and performing for many years, Donald WG Lindsay might come across as a bold new Scottish talent on Two Boats Under the Moon, his excellent two-disc debut
“CHESS THING?”
ONE OF THE MOST GRIMLY FUNNY POEMS OF the past century is Philip Larkin’s “This Be the Verse,” with its opening salvo about how our parents invariably mess us up. Larkin used a saltier word for “mess,
SECOND violins, from bar thirty-two – again, please.” Maggie Holloway blinked at the sheet music in front of her, the notes swimming slightly as she adjusted her glasses. Her bow hovered uncertainly a