In the spring of 1974, DAVID BOWIE arrived in the United States by boat. By the time he left in the spring of 1976, his marriage was ending, his cocaine addiction was spiralling, and he'd become obsessed with Nazis. He'd also made another masterpiece: Station To Station. "We went days without sleeping," his valiant co-conspirators tell GRAYSON HAVER CURRIN. "Inhibitions were out the window."

From the Sex Pistols to Sinatra, CHRISSIE HYNDE has spent 50 years moving between musical worlds. Now, as she releases a new album of diverse superstar duets, she confides in TOM DOYLE all about Debbie Harry, Kate Bush, Morrissey, forging Beatles signatures, having hysterics at a CSN gig, and how to deal with the most obsessive Pretenders fans... "Go fuck yourselves!"

We finally know episode three’s full title, “The Vanishing Of Holly Wheeler”. Nell Fisher talks to SFX about taking over the starring role

Kiefer Sutherland reveals why he’s swapped Hollywood for panto

Fifty years on from their first successes, Roger McGuinn, the 12-string architect of THE BYRDS , tells Uncut about their exceptional first 18 months – and his relationship with Gene Clark. As the young group make their jet-powered escape from the folk think tank, we hear about making the scene on the Strip, outraging Iowa and a muted response in the United Kingdom. But ultimately how “Eight Miles High” became the spectacular conclusion of the band’s first era. “I almost left The Byrds entirely to go and be in this space band With Dino Valente,” McGuinn tells John Robinson

CLAIRE DANES GETS A LOT OF ATTEN-tion for her “cry face.” It is, indeed, a sight to behold. Engulfed by waves of sorrow, her chin vibrates, her eyes scrunch, the corners of her mouth turn down as thou