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THE EMPIRE MASTERPIECE
JOHN BOORMAN AND LEE MARVIN’S HUGELY INFLUENTIAL
HOW A CAREER CRIMINAL PULLED SHANE BLACK BACK TO FILMMAKING WITH PLAY DIRTY
STEPHEN KING’S STORY THE RUNNING MAN IS ABOUT A GUY RISKING HIS LIFE ON LIVE TV. AND, AS THE ALWAYS KINETIC EDGAR WRIGHT AND HIS QUICK-WITTED CAST TELL US, THEIR NEW SPIN ON IT HAS NO INTENTION OF STANDING STILL
BILLY ZANE ON HIS LIFELONG JOURNEY TOWARDS TACKLING A TITAN IN WALTZING WITH BRANDO
The Thursday Murder Club 1hr 58mins (12A) Faithful ...
DAYLIGHT ROBBERY
THE DRIFTER is a gorgeous point-and-click with a noir-ish edge
