In it for the clicks

22 / UNDENIABLE BY DAKOTA JOHNSON When I first started to teach Tate McRae how to dance, I thought to myself, “Gosh—this girl really has potential. If only she could be as flexible as me.” In sincerit

HE’S FRANK, HE’S NO-NONSENSE, AND HE’S ON A ROLL. WITH A TRIO OF BUZZY MOVIES OUT THIS YEAR, THE ACTOR TELLS US WHY HE STARES FEAR IN THE FACE

Frank Dillane

37 / ENDLESSLY CURIOUS BY ARIANA GRANDE I first met Jonathan Bailey at dance rehearsal for Wicked. I was nervous because I have always found him so brilliant—having bookmarked and memorized a few boot

MIKE FIGGIS ON HIS FRONT-ROW SEAT TO THE HIGHS AND LOWS OF MAKING MEGALOPOLIS

THE DAY BEFORE THE SMASHING MACHINE PREMIERES at the Venice Film Festival in early September, Mark Kerr describes his emotional state as “vibrational.” It’s tough to pin down where jet lag ends and ne