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BY THE SUMMER of 1974, King Crimson had reached critical mass. Albums like In the Court of the Crimson King (1969), Larks’ Tongues in Aspic (1973) and Starless and Bible Black (early 1974) had seen th
Leigh Lawson has embraced acting and poetry with the same determination that sustained Marie Lloyd, the music-hall queen whose memorabilia he collects, as Carla Passino discovers
The article on the battle against U-boats in the Second World War in the November issue omitted perhaps the most important episode. That was the part played by the late Joe Baker-Cresswell of Bamburgh
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