Dark side of the art

Exhibition of the week Lucian Freud: Drawing into ...

Objects and props, theatrical lighting and the hint of hidden narratives mark an evolution in Michael Alford’s approach to painting the female nude. With an abiding interest in depicting human figures

Objects and props, theatrical lighting and the hint of hidden narratives mark an evolution in Michael Alford’s approach to painting the female nude. With an abiding interest in depicting human figures

Had Robin Holloway published Music’s Odyssey—described by its author as “an invitation to the glorious long voyage of Western classical music”—30 years ago, he might well have got away with it. By day

John Piper was a modernist who rejected Modernism, a versatile artist who defied categories, but one who remained true to the spirit and detail of the places he painted

Gerhard Richter Fondation Louis Vuitton, Paris, until March 2 Dieter Schwarz and Nicholas Serota Gerhard Richter 416pp. Citadelles et Mazenod. £45 (€49.90). The Fondation Louis Vuitton, housed in Fran