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CLASSIC ALBUM
Finger Lickin’ Records, 2003
Words by Roy S
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WE WERE THE first band of our generation that started to grow up,” Billy Corgan says, reflecting on the making of the Smashing Pumpkins’ 1995 grand opus, Mellon Collie and the Infinite Sadness. “The b
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As Dolly Parton once remarked, it takes a lot of money to look this cheap. The same might be said of Blur’s fifth, self-titled record, whose lo-fi aesthetic belies the sophistication of the artistry a