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JOHN SNELLING ● WHAT IS THE BEST SOUND ...

Our pick of the month’s most delectable and wallet-bothering new gear

The perhaps wisely uncredited author of the piece about Tellef Johnson’s premiere of Sorabji’s Piano Sonata No. 5 (Full Score, February) seeks to claim ‘due seriousness’ for their report. The presumed

The great and good of progressive music give us a glimpse into their prog worlds.

WHEN Kate had decided, at the age of fifty-five, to reduce her working hours and go part-time at her job, she had imagined filling her extra days off with all kinds of exciting adventures. Instead, sh