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There are gig venues, and then there’s York Minster, where symphonic metal band Plague Of Angels are playing a show backed by an enormous pipe organ. Unless a bunch of irate Christians get their way
Richard Barrett experiments with suspended and altered chords to bring a sense of suspense to your compositions
This signature collaboration with Yvette Young incorporates chorus, delay, grain effects and reverbs for atmospheric soundscapes
When the Irish band were a folksy blues three-piece, it was Eric Bell who defined Thin Lizzy on their 1971 self-titled debut and early 70s follow-ups, Shades Of A Blue Orphanage and Vagabonds Of The Western World
A year after their debut at NAMM 2024, the Victory MK Clean and MK Overdrive are the toast of the high-end valve scene. Chief designer Martin Kidd unfurls the schematics
Midge Ure, the Live Aid orchestrator and Ultravox synth-pop pioneer, looks back at his trial by fire with Thin Lizzy – and why he told Phil Lynott: “I’m not the guy you should be asking”