Creating freak’s layered bassline

‘T is the season of jump-scares and of things going bump in the night, when you get to watch as much as you dare of your favourite slasher film, as Michael Myers puts on his mask once again in Hallowe

T3 ’s always loud tech know-it-all shouts out more wise advice

The grand parade of lifeless packaging? Far from it, as this much-delayed blockbuster reissue of one of prog’s most fascinating and frustrating albums finally proves.

Nearly all modern TVs sound rubbish – that’s the price of flatness. So, for audio to match the picture, get one of these thumpin’ soundbars…

WHEN I AM composing and arranging music, I like to think as an orchestrator. As the guitarist, I try to represent just about everything that’s in the arrangement — the drum syncopations, horn parts, k

REPRESENTING THE SECOND model in a seemingly new dawn of Electro-Harmonix pedals after the POG3, the Oceans Abyss features 10 reverb algorithms with dual paths that allow you to blend and swap to your