The power of inversions and chord voicing

This month, Richard Barrett grabs his acoustic and shows you another way to expand your chord vocabulary

Richard Barrett is on a mission to make you a better blues player – with full audio examples and backing tracks

This month, Richard Barrett explores how a chord can sound completely different when its basic note order is rearranged

The solo cello carves out a slow-moving phrase. It’s not a melody as such, but it becomes a refrain, passed on to the accompanying six cellos. The listener becomes Hercule Poirot, picking out clues hi

LAST MONTH, WE delved into the all-important topic of developing solid pick-hand timing when strumming. To me, that’s where the groove is: the pick hand is the timekeeper, and I’ve spent a lot of time

Behind the scenes of your favourite soundtracks