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In the second part of this lesson, Richard Barrett asks you to lend your ears to the sounds of the silver screen for real-life context
AN ESSENTIAL ELEMENT of playing music is being aware of “where” you’re playing in the beat and how it relates to the groove being laid down by the rhythm section. This concept can be broken up into th
IN MY PREVIOUS “Blues You Can Use” columns, I focused on what I consider to be essential rhythm guitar and accompanying single-note patterns that exemplify Chicago-style blues guitar, as heard in the
THIS MONTH, I’D like to talk about the paramount importance of the right, or pick, hand — how it’s the keeper of time and the thing that gives us the groove while we play. I’ll demonstrate some exampl
Extremes in dark and light are effective tools in creating punchy focal points. I have painted lots of sunny, acrylic street scenes – mainly backlit – and really enjoyed dabbing in the sparkly highlig
Michael Watts reflects on how the choice of the two most popular back and sides woods affects your acoustic sound