Fifty years on from their first successes, Roger McGuinn, the 12-string architect of THE BYRDS , tells Uncut about their exceptional first 18 months – and his relationship with Gene Clark. As the young group make their jet-powered escape from the folk think tank, we hear about making the scene on the Strip, outraging Iowa and a muted response in the United Kingdom. But ultimately how “Eight Miles High” became the spectacular conclusion of the band’s first era. “I almost left The Byrds entirely to go and be in this space band With Dino Valente,” McGuinn tells John Robinson

Works by Bach arr. for clarinet Martin Fröst (clarinet); Jonas Nordberg (lute) et al Sony Classical 19802814742 41:45 mins The album B.A.C.H. from Swedish clarinettist and conductor Martin Fröst conti

How Eno-supervised jams and a playful tale of obsessive relationships yielded the Manchester veterans’ biggest hit to date. Just don’t wear those dresses on American TV!

Inside the US singer-songwriter’s path from early DIY explorations to modern country-folk force

WHAT’S that racket?” Rae looked around. “It’s Jake. Your son,” she called, smiling. “He’s bought a second-hand drum kit.” Leo winced as another loud crash echoed down the stairs, then he took off his

Finding poignancy in the dread and dislocation of modern living, London four-piece DRY CLEANING have garnered admirers including Nick Cave, Grace Jones and Jeff Tweedy. As new album Secret Love refines their nervy post-punk sprechgesang, the band set their sights on new targets. “Art and humour are our main weapon,” they tell Stephen Troussé