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It’s not a competition, but if we were to crown
Anyone walking down Manhattan’s West 28th Street in the early 20th century would have heard the clanging of multiple pianos – a cacophony that earned it the nickname ‘Tin Pan Alley’. It was the heart
‘We’re going to have a tonal centre and tap our feet, and that’s the way it is.’ Steve Reich is in full flow, talking to me from his home in New York. ‘The big break, the knife down the line, was betw
There has been a tectonic fragility to the early weeks of 2026, the uneasy sense of an old world shifting. New horror in Syria, Venezuela, Greenland, Iran; ongoing terror in Ukraine, Gaza, Sudan. In t
Music saved my life,” says Mark Moore. “When I was young, I was always looking for somewhere to belong, somewhere my existence made sense – and that’s what music gave me.” For those who only know Mark
Textures once helped pioneer the modern djent and heavy progressive blueprint, but the Dutch sextet disbanded at the end of 2017 when it felt like the bands they’d inspired had overtaken them. Now, back from the dead and sounding more complete than ever before, returning keyboardist Uri Dijk tells Prog about their resurrection, unlikely new influences and why they won’t buck to genre trends.
Pagan doom, Marmite metalcore, genre-smashing hardcore, razzle-dazzle arena metal… this has been the soundtrack to the decade to date