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This issue, let’s explore sounds and ideas that break with convention, fro
WHEN I AM composing and arranging music, I like to think as an orchestrator. As the guitarist, I try to represent just about everything that’s in the arrangement — the drum syncopations, horn parts, k
If you want to sound great on stage and off, there are a few tricks you should know
Hullo! As I write this, the weather outside is wet and windy, which makes me feel rather contemplative. As I stare out my living room windows, part of my contemplation wonders where the leaks are, sin
The grand parade of lifeless packaging? Far from it, as this much-delayed blockbuster reissue of one of prog’s most fascinating and frustrating albums finally proves.
Charlie Wilkins delves into the world of power attenuators, revealing how to push valve amps to their edge without the punishing volume
REPRESENTING THE SECOND model in a seemingly new dawn of Electro-Harmonix pedals after the POG3, the Oceans Abyss features 10 reverb algorithms with dual paths that allow you to blend and swap to your