Meadowlands

7 min read

Peter Clay, co-director of Crocus.co.uk, has been developing his garden and meadows at Brockhampton Cottage, on a sloping site in the Welsh Borders, for more than two decades. Here, he explains his yearning for a magnificent landscape carpeted with orchids, and how he has made that dream come true

PHOTOGRAPHS CAROLE DRAKE

The distant house commands views over the deep Herefordshire valley of meadow, woodland and water, shaped by generations of farmers and landowners. All appear part of the same landscape, but it wasn’t always this way. Peter worked with digger drivers (taking a detour from their work on the M50) to reshape contours, moving half a hillside to gently slope the land down to the lake, opening new sight lines between house and water.

It was my grandfather who dreamed of creating a lake in the valley below the house. He was a prisoner of war, and it was the vision of the lake that kept him sane during his years of captivity. In 1946, he made it a reality. When he died, the first thing I did was to return to my old room where, aged four, I would sit for hours looking at the lake. As I dwelt there once more, it became obvious what I should do. Surrounding the house was a huge thuja hedge that eclipsed the hilltop view on all sides. This had to go. A year later, in 1999, I enlisted the help of garden designer Tom Stuart-Smith. My brief was to bring all the views into the garden rather than exclude them, or merely glimpse vistas from a series of curated rooms. Thus, it has become a garden that is all about the landscape.

The meadow, like the garden, is 24 years old, and now covers 22 acres in three contiguous sections. For many years it was a fraction of that area, a modest foreground to the hilltop house. Now the meadow extends south, gently sloping down to the lakeside and then upwards to a hanging wood – Haile’s Wood – which is our boundary, and the first full stop in a crumpled patchwork of undulating pinks and greens that runs towards Ross-on-Wye and the Forest of Dean.

For anyone considering creating a meadow, beware: there is no instant gratification. It’s expensive. It’s hard work. But, if you persevere, Nirvana’s greatest hits await. My meadow muse was Miriam Rothschild, once a member of Alan Turing’s Bletchley Park team, but also a wildflower expert, lepidopterist, eminent natural scientist and an expert on fleas. But it’s her writings about meadows that resonate with me. Responding to a male colleague who scoffed that it would take 1,000 years to reproduce a medie

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