Four members of the Photobook Club Collective reflect on photography editing challenges and the role of collaboration and community support in turning large bodies of work into photobooks, writes Gabrielle Motola

Peter Dench explores what does the modern picture editor actually do and is human judgement still relevant in visual journalism?

The making of the cover of the latest Portrait of Britain book, as told to Peter Dench

Judy Blume’s Superfudge was in our tiny school library, and I wolfed it down at the age of eight. From then, I was side-by-side with all of Judy’s kids, right the way up to 17-year-old Katherine in Fo

Gallery red tape, a painting behind glass and the need to hide the album title meant a rocky road for creating this New Order LP cover, writes Steve Fairclough

When she moved to a house with extraordinary countryside views, Jo Lloyd took the opportunity to indulge her love of iconic, nature-inspired William Morris designs