Hail mary

The onset of 1985 found Eurythmics in a commercial sweet spot as they rode a wave of successive hits on the global stage. It was barely two-and-a-bit years since Sweet Dreams (Are Made of This) in Jan

Wilco dynamo’s fifth solo LP is a wildly eclectic triple that celebrates collective creativity and freedom.

The accessibility, affordability and portability of synthesizers in the late 70s had a profound effect on popular music, particularly in the UK, where the likes of Ultravox!, Gary Numan and OMD reshap

Hot Wax always started the same way: Suzanne in the driver’s seat of a butter-yellow ’68 Ford Ranchero fondly known as Blondie. The car is a character in the book as much as anyone else – Suzanne’s on

Hildur Guðnadóttir is scrolling through her phone. Whereas most people use the device to collect photographs and notes alongside contact numbers, the Icelandic composer records snippets of music. Thes

hen Soft Cell were art students at Leeds Polytechnic, Marc Almond wrote a song in the vein of Ziggy Stardust about a fictional band breaking up. Four years later, when Soft Cell had been informed by t