Tip sheet

He’s played with everyone from Rob Zombie to Mötley Crüe. Now the six-string wizard shares his wisdom

Always wanted to unleash your inner musician? Writer Joel Snape thought he’d left it too late until he started playing around on the piano and found it was just the note he needed

Fifty years on from their first successes, Roger McGuinn, the 12-string architect of THE BYRDS , tells Uncut about their exceptional first 18 months – and his relationship with Gene Clark. As the young group make their jet-powered escape from the folk think tank, we hear about making the scene on the Strip, outraging Iowa and a muted response in the United Kingdom. But ultimately how “Eight Miles High” became the spectacular conclusion of the band’s first era. “I almost left The Byrds entirely to go and be in this space band With Dino Valente,” McGuinn tells John Robinson

Your letters to the Guitarist editor. Drop us a line at guitarist@futurenet.com

IN LAST MONTH’S column, I talked about how using open G tuning (low to high: D, G, D, G, B, D) has inspired me to find my own musical and compositional voice as a guitarist and craft some cool and uni

H.e.a.t frontman Kenny Leckremo on the records, artists and gigs that are of lasting significance to him.