MY FAVORITE ENSEMBLE to play in is the power trio. With only three instruments — electric guitar, bass and drum kit — there’s so much freedom to explore concepts like space, time and dynamic range. Th

From the bayou to Woodstock and back – the easygoing adventures of Bobby Charles. By John Mulvey.

It was 1965 with bells on, the year the singles charts got wilder, heavier, druggier. Twelve months of traumas, transgressions and transvestism, experiments and explosions. How 20 revolutionary platters from 1966 revealed "the secrets of space and time". "Intensity was the keynote," says JON SAVAGE.

Fifty years on from their first successes, Roger McGuinn, the 12-string architect of THE BYRDS , tells Uncut about their exceptional first 18 months – and his relationship with Gene Clark. As the young group make their jet-powered escape from the folk think tank, we hear about making the scene on the Strip, outraging Iowa and a muted response in the United Kingdom. But ultimately how “Eight Miles High” became the spectacular conclusion of the band’s first era. “I almost left The Byrds entirely to go and be in this space band With Dino Valente,” McGuinn tells John Robinson

Black And Blue UMC/POLYDOR

From The Bottom Of An Old Grandfather Clock (reissue, 2004) DEAD OCEANS