There’s No Rest For The Wicked in Wylde’s world of fast alternate picking and pinched harmonics, says Charlie Griffiths of this great rocker.
Zakk Wylde was born in New Jersey in 1967 and since his appearance on Ozzy Osbourne’s No Rest For The Wicked in 1988, has remained one of the most respected and renowned players in the hard rock and metal genres. Zakk’s combination of bluesy feel, shredding alternate picking and trademark pinched harmonic vibrato is as legendary as it is recognisable.
Zakk’s tenure with Ozzy has continued throughout the years with No More Tears and Ozzmosis being highly recommended rock guitar masterpieces. As well as this, Zakk released the acclaimed Pride And Glory in 1994, which paved the way for his Book Of Shadows solo works and Black Label Society, with whom Zakk has released multiple albums. His bluesy Southern metal style makes him the perfect choice to honour Dimebag Darrell’s legacy for the forthcoming Pantera tribute shows.
Zakk uses a lot of alternate picked Pentatonic and Blues scale patterns and Example 1 demonstrates a typical six-note descending sequence with each note picked with confidence and attack. The key to mastering this two-notes-per-string picking technique is in the angle at which you tilt the pick. The common perception is that we hold the pick in a horizontal plane and move it in a ‘down-up’ motion. Although this theoretically works when playing on one string, changing strings is a messy and inexact affair. Instead, position your hand so the tip of the pick is higher up in space than the round edge of the pick. This makes picking more of an ‘in and out’ motion, with some ‘down and up’ movement too. So with each fragment, the pick moves into and away from the strings. Starting ‘away’ from the strings allows for a clean first ‘downstroke’ on any string. So, whether so are traversing multiple strings, like Ex1, or moving back and forth between a pair of strings like Ex3 and Ex4, this technique will serve you well.
Once you are comfortable with alternate picking, we can add pinched harmonics, or harmonic squeals or screams. To achieve Zakk level harmonics you’ll need gain and chorus to widen the sound. The pinched harmonic is so called because we ‘pinch’ the string with the side of the thumb as we pick it. The physics are the same as producing a regular two-handed natural harmonic, except the node point touch, pick and release motion is
