Jam tracks tips

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Use these to navigate our bonus backing tracks

Try your best Ernest Ranglin jazzy-blues licks over jam track #4
NICKY J. SIMS/REDFERNS

Slow Blues (C)

We start with a simple slow blues in C, where C Minor Pentatonic (C-Eb-F-G-Bb) and the C Major Pentatonic scale (C-D-E-G-A) are great places to begin. Dig in to milk the notes and tone!

G MixolydianVamp

This jam is a simple two-chord vamp (G-F), exploring Mixolydian mode in the context of a bluesy trip-hop vibe. Aside from the obvious G Mixolydian (G-A-B-C-D-E-F), I recommend G Minor Pentatonic (G-Bb-C-D-F) and also G Major Pentatonic (G-A-B-D-E) to produce an uplifting Major key feel.

Jazz Blues (F)

Here’s a slow jazzy-blues in one of the more highly favoured keys of jazz musicians -F. You can mix between F Major Pentatonic (F-G-A-C-D) - same five notes as D Minor Pentatonic - and F Minor Pentatonic (F-Ab-Bb-C-Eb) to great effect on this standard jazz-blues progression.

Sweet Groove Blues - E Minor

We finish with a fun groove blues in E Minor, where you can use E Minor Pentatonic (E-G-A-B-D) to sound more SRV or Clapton, and E Minor scale (E-F#-G-A-B-C-D) which is more appropriate to Gary Moore or Peter Green. E Harmonic Minor scale (E-F#-G-A-B-C-D#) sounds great too.

Visit www.Quistorama.com/ jamtracks and subscribe to www. youtube.com/QuistTV for more jam tracks. Quist’s new album Garden Grooves is out soon and you can find him on Spotify and Instagram, as well as Patreon for his full library of tabs & lessons.

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