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OVER THE LAST two columns, I’ve demonstrated a handful of what I consider to be essential “blues approved” licks that work well both as embellishments to rhythm parts or as phrases within a solo. Our
Richard Barrett experiments with suspended and altered chords to bring a sense of suspense to your compositions
TODAY I'D LIKE to talk about downpicking — picking or strumming consecutive downstrokes — and why it can be so musically effective. This is something I learned from studying the riff-writing style of
Richard Barrett is on a mission to make you a better blues player – with full audio examples and backing tracks
A visual transit allows you to gauge your ...
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