MATEUS ASATO IS the kind of guitarist we haven’t heard much of lately — a true original. He doesn’t do anything particularly outrageous or revolutionary — there’s no crazy gimmick (yet) that he’ll be

Rival Sons’ frontman on his solo album, songwriting, the call of the wild, storytellers, falling in love, destroying his past…

Thirty years after its release, Billy Corgan looks back at the making of The Smashing Pumpkins ’ era-defining big, bold, bombastic masterpiece Mellon Collie And The Infinite Sadness .

The modern-day funk maestro on Strats, creative gear solutions, and why not to be swayed by the “mystique of gear”

ON THE SURFACE, guitar trends in 1986 looked downright wild and perverse — a weird parade of shred-happy virtuosos, anthemic power pop heroes, dirtbag metalheads and eccentric alt-rock outsiders. But

LAST MONTH, I discussed some of the advantages of playing in a power trio, such as the open harmonic canvas that it affords me as a guitar player. “Threw Me to the Wolves” is a song of mine that prese