Plini

THIS MONTH, I’D like to talk about the paramount importance of the right, or pick, hand — how it’s the keeper of time and the thing that gives us the groove while we play. I’ll demonstrate some exampl

A BIG PART of blues is playing over a “shuffle” groove — a triplet-driven swing-eighths feel with a backbeat (accents on beats 2 and 4) — at various tempos. There are many great shuffle-based tunes. A

AN ESSENTIAL ELEMENT of playing music is being aware of “where” you’re playing in the beat and how it relates to the groove being laid down by the rhythm section. This concept can be broken up into th

For something versatile or offbeat, reimagining a classic could be the way to go

WHEN TY SEGALL and collaborator Matt Yoka started writing the lyrics to the former’s new and 17th solo album, Possession, the pair set off to present a series of “quintessentially American stories.” T

Few guitarists are loved as equally for their acoustic work as their electric playing but such is the unique talent of Richard Thompson . We meet him to find out how he’s preparing to go head-to-head with Tommy Emmanuel, chat about the end of his touring days, and talk alternative tunings