Richard Barrett is on a mission to make you a better blues player – with full audio examples and backing tracks

A STAPLE OF many great country and country rock songs — and, in the hands of Jimmy Page and Albert Lee, rock songs — is the sound of the B-bender. For those unfamiliar, a B-bender is a string-pulling

With Joe Bonamassa having gathered the cream of the scene for the B.B. King’s Blues Summit 100 tribute album – and written the intro to this feature – we take an alphabetised look back at the blues legend’s classic tracks, hotel bombings, car crashes, conspiracy theories, towering infernos and more…

ON THE SURFACE, guitar trends in 1986 looked downright wild and perverse — a weird parade of shred-happy virtuosos, anthemic power pop heroes, dirtbag metalheads and eccentric alt-rock outsiders. But

LAST MONTH, I discussed some of the advantages of playing in a power trio, such as the open harmonic canvas that it affords me as a guitar player. “Threw Me to the Wolves” is a song of mine that prese

THE RICKENBACKER 360/12 might not have been the very first 12-string electric guitar to appear on the market — it was preceded by the 12-string necks found on the doubleneck Gibson EDS-1275 and Strato