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This month Martin Cooper checks out the instantly recognisable sound of a sou
Richard Barrett is on a mission to make you a better blues player – with full audio examples and backing tracks
He turned down Hendrix, butted heads with Lemmy, was saved from a bad trip by Pete Townshend, present at a thousand pop-culture flashpoints… Ten Years After bassist Leo Lyons explains why he’s like “the rock’n’roll Forrest Gump”.
LAST MONTH, I discussed some of the advantages of playing in a power trio, such as the open harmonic canvas that it affords me as a guitar player. “Threw Me to the Wolves” is a song of mine that prese
Martin Barre MCNIDDER & GRACE
He was drawn into rock by the greats, but rock’s not the only string on his guitar.
ONE OF THE coolest and most badass-sounding things a guitarist can do is double a long, complex bass line an octave higher. This was my approach for the song “Dean Town,” which I recorded with Vulfpec