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INTRO INSTRUMENTAL INQUISITION!
Guitar instrumentals have supplied some o
Jacob Collier is on stage with the Britten Sinfonia, in a packed-out concert hall. We’ve already been treated to a freewheeling, virtuosic and wildly joyful programme, ranging from Bob Dylan to scat-s
Claire Jackson’s opinions on Brahms (Hero or Hype?; August) resonated with me. I studied his First Symphony for O-Level, and his Fourth for A-Level. Then at college, my piano teacher insisted I learn
‘I was born twice,’ said the great Russian bass Feodor Chaliapin. ‘In Kazan I opened my eyes to life, and in Tbilisi to music.’ What is it about music and the Georgians? Some members of that Caucasian
Classical music has a problem with perfection. You’d have thought the most important job of any professional musician was learning, playing and repeating the notes composers wrote down so often that t
Rachmaninov himself at the piano, recorded in 1929, is bound to remain a benchmark, even after nearly a century. Like many performers at the start of the recording era, Rachmaninov was microphone-shy
Jonathan Gaisman is a KC and a writer on cultural topics