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INTERVIEW
A minute’s all it takes to discover what makes a great guit
MATEUS ASATO IS the kind of guitarist we haven’t heard much of lately — a true original. He doesn’t do anything particularly outrageous or revolutionary — there’s no crazy gimmick (yet) that he’ll be
What was your first guitar? I wanted a guitar when I was 10, but it took until I was 12 before my parents gave in. We went to a shop in King’s Cross in North London, and they had guitars hanging up, i
I’M NOT SURE if it’s the three-inch heels on her Doc Martens, but Emily Green dwarfs me as she strides across the stage. It’s about an hour before her band, Geese, soundchecks for their sold-out show
Thirty years after its release, Billy Corgan looks back at the making of The Smashing Pumpkins ’ era-defining big, bold, bombastic masterpiece Mellon Collie And The Infinite Sadness .
The modern-day funk maestro on Strats, creative gear solutions, and why not to be swayed by the “mystique of gear”
From Black Sabbath awakening to jam band to Hanoi Rocks to decades-straddling solo artist, via Finland, London, NYC and beyond, he’s been up, down and up again, through thrills, spills, triumph and tragedy. You could say he’s really lived the rock’n’roll life, but that would be an understatement.