Mitch dalton

Not only does this 1969 Tele illustrate Fender’s slowly changing post-Leo period, it also documents a lot of modding. Dave Burrluck should know – he was there!

VERY FEW NAMES in our industry command as much respect as John Suhr’s. His creations are widely considered to be world-beating manifestations of design and craft colliding at the highest possible leve

During its long history, Fender has navigated several tricky turning points, but 1965 marks for some the start of a decline from the standards set by Leo’s original company. Is that view still justified?

A residential studio experience with its access to vintage kit has shifted gears for Robert Jon & The Wreck on their latest release

Your letters to the Guitarist editor. Drop us a line at guitarist@futurenet.com

I loved Martin Buckley’s piece about his Mamod Roadster (Backfire, July). Martin is always my go-to when I get a new magazine delivered, but enough sycophancy… It rang a bell with me when Martin menti