MATEUS ASATO IS the kind of guitarist we haven’t heard much of lately — a true original. He doesn’t do anything particularly outrageous or revolutionary — there’s no crazy gimmick (yet) that he’ll be

Rival Sons’ frontman on his solo album, songwriting, the call of the wild, storytellers, falling in love, destroying his past…

‘We’re going to have a tonal centre and tap our feet, and that’s the way it is.’ Steve Reich is in full flow, talking to me from his home in New York. ‘The big break, the knife down the line, was betw

What was your first guitar? I wanted a guitar when I was 10, but it took until I was 12 before my parents gave in. We went to a shop in King’s Cross in North London, and they had guitars hanging up, i

ON THE SURFACE, guitar trends in 1986 looked downright wild and perverse — a weird parade of shred-happy virtuosos, anthemic power pop heroes, dirtbag metalheads and eccentric alt-rock outsiders. But

Thirty years after its release, Billy Corgan looks back at the making of The Smashing Pumpkins ’ era-defining big, bold, bombastic masterpiece Mellon Collie And The Infinite Sadness .