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JAZZ
In this special feature John Wheatcroft pays his own
Six decades into his career, Carlos Santana remains excited by the very thought of having a guitar in his hands. Below, he looks back on the music and gear that’s soundtracked his one-of-a-kind life
The unconventional instrumentation favoured by Tortoise is an indicator of how many different lineups have always jostled for space under the jazz umbrella. The national treasure that is The Pete Alle
Every month we get inside the mind of ...
There’s a trepidatious growl from the contra-bassoon. Soon, it is joined by French horns, strings and timpani; the sound rumbles, snowballs – and then: abrupt silence. The piano sings into the stillne
CRAFTING AN APPEALING guitar solo for a song is always a creative challenge. There are many different approaches one can take: Do I follow the chord changes so that the notes line up perfectly with th
After the premiere of his orchestral piece Coptic Light in 1986, Morton Feldman was described by an irate American critic as ‘the most boring composer in the history of music’. Listeners coming to his