MY FAVORITE ENSEMBLE to play in is the power trio. With only three instruments — electric guitar, bass and drum kit — there’s so much freedom to explore concepts like space, time and dynamic range. Th

Send your brickbats, bouquets, reminiscences, textual critiques, billets-doux and all forms of printable correspondence to letters@uncut.co.uk

Fifty years on from their first successes, Roger McGuinn, the 12-string architect of THE BYRDS , tells Uncut about their exceptional first 18 months – and his relationship with Gene Clark. As the young group make their jet-powered escape from the folk think tank, we hear about making the scene on the Strip, outraging Iowa and a muted response in the United Kingdom. But ultimately how “Eight Miles High” became the spectacular conclusion of the band’s first era. “I almost left The Byrds entirely to go and be in this space band With Dino Valente,” McGuinn tells John Robinson

Classic Pop’s team will only get one chance to celebrate our 100th issue, so we thought we’d take this opportunity to highlight some pivotal moments that have got us to this point. Many of you have be

From The Bottom Of An Old Grandfather Clock (reissue, 2004) DEAD OCEANS

Black And Blue UMC/POLYDOR