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This issue Charlie Griffiths enters the court of the crimson king to discern dis
FEW GUITARISTS HAVE shaped progressive and avant-garde music as profoundly as Robert Fripp. With King Crimson, Brian Eno, David Bowie and others, Fripp perpetually reinvented the six-stringed wheel wi
BY THE SUMMER of 1974, King Crimson had reached critical mass. Albums like In the Court of the Crimson King (1969), Larks’ Tongues in Aspic (1973) and Starless and Bible Black (early 1974) had seen th
AS I STATED last month, my favorite band line-up is the guitar-bass-drums power trio. With the guitar being the primary chordal and melodic instrument in the ensemble, there are challenges inherent in
At a time when progressive rock labels seem to be closing faster than they are opening, this indie is going from strength to strength. Owners Mark and Rayna Monforti take a moment to draw breath and reflect on their 2025 successes.
60 years ago history was made and the rulebook rewritten when Clapton, Bruce and Baker united to form one of the most influential supergroups in British music
IF YOU SPEND just 10 minutes listening to the music of the whacked-out, Los Angeles-based psych-punk rockers Frankie and the Witch Fingers, you’ll undoubtedly think, “How on earth does that guitarist