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Last month we featured Mateus Asato, and mentioned the importance of the neo-
MATEUS ASATO IS the kind of guitarist we haven’t heard much of lately — a true original. He doesn’t do anything particularly outrageous or revolutionary — there’s no crazy gimmick (yet) that he’ll be
Richard Barrett is on a mission to make you a better blues player – with full audio examples and backing tracks
ONE OF THE coolest and most badass-sounding things a guitarist can do is double a long, complex bass line an octave higher. This was my approach for the song “Dean Town,” which I recorded with Vulfpec
Picture the scene: you’re about to get up on stage to give a presentation or performance. Something feels off – you look down, and realise your shirt is missing; in fact, you have no clothes on at all
LAST MONTH, I discussed some of the advantages of playing in a power trio, such as the open harmonic canvas that it affords me as a guitar player. “Threw Me to the Wolves” is a song of mine that prese
Andrey Gugnin (piano) Hyperion CDA684712 83 mins This album of Russian ballet transcriptions sparkles like a glass bauble hanging amidst the fairy lights. Tchaikovsky and Stravinsky wrote so colourful