FROM BUSKING IN BRUSSELS TO CREATING HER ONE WOMAN BAND, THIS SLIDE-RIPPING GUITARIST TAKES A FEARLESS APPROACH TO HER MUSIC
By Jim Beaugez
WHILE MANY BANDS sat out the entire Covid pandemic, Belgian blues guitarist Ghalia Volt had an out-of-the-box solution for traveling with a band when countries began to reopen: She simply became one herself.
Volt hit upon the idea of gigging solo after a spell playing bars on Frenchman Street in New Orleans. She would create percussion by stomping with her left foot and hitting a tambourine with her right foot, without skipping a note or slide lick on her guitar. It proved a liberating creative experiment that led to her 2021 album, One Woman Band.
“It becomes like a free-form kind of art,” Volt says. “You work on your own time and rhythm — if you want to slow down, just because it feels good, you slow down and nobody’s going to look at you. You want to rush a little bit because it feels better? You can do that, too. I just play whatever I want to play. It’s got that real, authentic feel, like it's really just raw.”
When it came time to take her solo show on the road, Volt would call ahead to each tour stop and arrange for percussion and a trio of guitar amplifiers while she traveled by train, then took a rideshare to the gigs. Her scrappy background in punk, garage rock and psychobilly — not to mention her days busking back home in Brussels — freed her to pursue music in her own way.
That streak carries over to her taste in gear and tones, as well. Volt is attracted to the gnarly,
