CATEGORY: AMPLIFIER
BY CHRIS GILL
THE MESA/BOOGIE MARK II model introduced in late 1978 represented a major milestone in the evolution of modern guitar amplifier design with its channel switching and cascaded high-gain preamp. However, the amp wasn’t quite perfect, and over the years Mesa/Boogie performed numerous upgrades based on input from guitarists that led to the Mark IIB, Mark IIC and the final version, the Mark IIC+. Because the new Mark III model was already well in development by the time the Mark IIC+ was introduced in January 1984, the IIC+ was short-lived, produced for only 14 months until March 1985.
Typical of Mesa/Boogie Mark Series amps, the IIC+ was offered with a dizzying assortment of options. The base models were 60-watt heads or combos, but buyers could upgrade to 100 watts and add a graphic EQ, reverb, SimulClass and other options. Mesa also offered the 300-watt Coliseum model designed for bands that typically played arenas and stadiums. Mesa built fewer than 3,000 Mark IIC+ amps, including 56 Coliseum models, but many Mark IIC and even a few Mark IIB amps were upgraded to C+ specs. And then there is the infamous Mark IIC++ version, featuring a custom factory upgrade that provided additional gain.
The Mark IIC+ is beloved for its dazzling dynamic clean tones, smooth singing compressed high-gain solo voices and its gut-punching maximum gain metal rhythm tones. Most of the amp’s “holy grail” status is due to its use on Metallica’s Master of Puppets, although James Hetfield and Kirk Hammett had IIC++ models and employed Aphex EQF-2 semi-parametric EQs and Aphex CX-1 Compressor/Gates in the effects loop for tone-shaping “secret sauce.” The IIC+ was also a mid-Eighties favorite of first-call L.A. session players like Mike Landau, Steve Lukather and Dean Parks, and it was Prince’s amp of choice for his 1984 Purple Rain tour and beyond. The IIC+ has re
