Shapes of things

Martin Barre MCNIDDER & GRACE

LAST MONTH, I discussed some of the advantages of playing in a power trio, such as the open harmonic canvas that it affords me as a guitar player. “Threw Me to the Wolves” is a song of mine that prese

Thirty years after its release, Billy Corgan looks back at the making of The Smashing Pumpkins ’ era-defining big, bold, bombastic masterpiece Mellon Collie And The Infinite Sadness .

With Joe Bonamassa having gathered the cream of the scene for the B.B. King’s Blues Summit 100 tribute album – and written the intro to this feature – we take an alphabetised look back at the blues legend’s classic tracks, hotel bombings, car crashes, conspiracy theories, towering infernos and more…

ONE OF THE coolest and most badass-sounding things a guitarist can do is double a long, complex bass line an octave higher. This was my approach for the song “Dean Town,” which I recorded with Vulfpec

He turned down Hendrix, butted heads with Lemmy, was saved from a bad trip by Pete Townshend, present at a thousand pop-culture flashpoints… Ten Years After bassist Leo Lyons explains why he’s like “the rock’n’roll Forrest Gump”.