Lost classics: stiff little fingers

SLASH WAS THERE when, in the aftermath of Guns N’ Roses’ 1987 debut album, Appetite for Destruction, the band suddenly exploded onto a chaotic arc from Sunset Strip hopefuls to one of the biggest, mos

“MY WIFE HAS enrolled me in a gym, and I have to go lift weights for an hour after this,” chuckles blues guitarist extraordinaire Walter Trout, the 74-year-old survivor of a drug habit and subsequent

Paul Weller’s career is a rare phenomenon in British music. Six decades in, he’s still making records that matter, still selling out tours, still chasing the next thing. What makes Weller endure? Afte

Hot Wax always started the same way: Suzanne in the driver’s seat of a butter-yellow ’68 Ford Ranchero fondly known as Blondie. The car is a character in the book as much as anyone else – Suzanne’s on

AFTER SLASH AND Duff McKagan exited Guns N’ Roses in the mid-Nineties, things went kinda sideways for a bit. The band kept rolling, but it was host to a cavalcade of guitar players, from Buckethead to

BOB DYLAN ’ S 18th BOOTLEG SERIES INSTALMENT – THROUGH THE OPEN WINDOW – IS AN AUDIO ANALOGUE TO A COMPLETE UNKNOWN: AN UNFURLING DOCUMENT OF A SEARING YOUNG TALENT IN THE ACT OF BECOMING. BUT BECOMING WHAT? ROCKER? FOLKIE? LOVER? POET? POLITICIAN? DIGGING INTO PREVIOUSLY UNRELEASED MUSIC FROM 1956 TO ’63, MOJO MARVELS AT DYLAN’S FIRST GREAT PHASE ALONG WITH ITS STILL-STUNNED EYEWITNESSES. “IT WAS EARTH-SHAKING,” THEY TELL DORIAN LYNSKEY .