The lone wolf

The great and good of progressive music give us a glimpse into their prog worlds. As told to Grant Moon.

In 1974, Mike Oldfield defied the critics and hit the top of the UK charts with Hergest Ridge, the ambitious follow-up to his unexpectedly successful debut Tubular Bells . To coincide with the release of the 50th-anniversary edition, the musician, his siblings and collaborators recount the story of an album created by an overwhelmed 21-year-old taking refuge near the Welsh borders.

Kate Bush ’s fifth album combines hit singles with a seven-song conceptual suite, all expressing the unmistakable style of one of progressive music’s most uncompromising visionaries. To mark 40 years of inspiration, The Anchoress, Within Temptation’s Sharon den Adel, Auri’s Johanna Kurkela, The Blackheart Orchestra’s Chrissy Mostyn and Exploring Birdsong’s Lynsey Ward celebrate the enduring magic and influence of Hounds Of Love .

Forty years ago this September, Kate Bush released Hounds Of Love . Her fifth studio record reinstated her position as one of the most innovative and creative artists of all time and yielded the (future) chart-topper Running Up That Hill . But its creation wasn’t always smooth. Here’s the story behind one of Bush’s best-loved albums.

Underrated masterpiece or epic misfire? As Metallica’s divisive 1996 album gets a blockbusting reissue, we break it down track by controversial track

Born in the titular Kent city in the late 60s, the Canterbury scene spawned some of prog’s most creative and quirky acts. From The Wilde Flowers and Soft Machine to Caravan and Gong, each had a distinctive sound and, in many cases, image that captured the hearts and minds of their followers. But the scene’s impact didn’t end in the 70s. Phil Howitt, Facelift editor and Hugh Hopper’s biographer, explores the new breed of progressive acts inspired by it, both consciously and unwittingly, and unearths the secrets of the ‘Canterbury chord’.