Lost classics: goo goo dolls

Returning with an album of man-and-guitar Dylan covers, the Eurythmics legend’s playing has never been laid so bare. He tells us about gigging folk clubs underage, the blues in his palette, and a memorable night on the tiles with Robert Zimmerman himself

PETER GILES

Born in the titular Kent city in the late 60s, the Canterbury scene spawned some of prog’s most creative and quirky acts. From The Wilde Flowers and Soft Machine to Caravan and Gong, each had a distinctive sound and, in many cases, image that captured the hearts and minds of their followers. But the scene’s impact didn’t end in the 70s. Phil Howitt, Facelift editor and Hugh Hopper’s biographer, explores the new breed of progressive acts inspired by it, both consciously and unwittingly, and unearths the secrets of the ‘Canterbury chord’.

Halestorm guitarist Joe Hottinger gives us a track-by-track guide to the band’s new album

THE HAMMER INTERVIEW

Forty years ago this September, Kate Bush released Hounds Of Love . Her fifth studio record reinstated her position as one of the most innovative and creative artists of all time and yielded the (future) chart-topper Running Up That Hill . But its creation wasn’t always smooth. Here’s the story behind one of Bush’s best-loved albums.