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By Chris Gill
THE ACOUSTI
ACOUSTIC GUITARISTS OFTEN get left out of the world of effects. However, about a decade ago, ToneWoodAmp appeared. It was a dedicated device that enabled acoustic players to enjoy effects through thei
TAYLOR’S GUITARS ARE clean-cut, original and (most of the time) their sound owes little to the past. The benefits of that approach are all to be found in this neat and sleek Grand Auditorium cutaway 3
Dream gear to beg, borrow and steal for...
As the 514ce is retired from Taylor’s catalogue in Europe, we take a look at the new Builder’s Edition of the same model to examine the upgrades and refinements it brings to the table. A worthy alternative? Let’s take a look
Fender’s Custom Shop had a precarious start in the mid-1980s, but the story of its formative years is full of big ideas, some bizarre instruments, and a queue of famous guitarists
Mike Zaite explains how a background in electronics and a front-row seat to the British Invasion of the 1960s led to the formation of Dr Z Amplification – and why the sonics always lead the schematics