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As heard on BOSTON
Words and Music by TOM SCHOLZ • Transcribed
WE WERE THE first band of our generation that started to grow up,” Billy Corgan says, reflecting on the making of the Smashing Pumpkins’ 1995 grand opus, Mellon Collie and the Infinite Sadness. “The b
Ravel: Ma mère l’Oye; Stravinsky: Le Sacre du printemps Pavel Kolesnikov and Samson Tsoy (piano) Harmonia Mundi HMM902752 49:20 mins Those of us lucky, as I was at both their Ragged Music Festival and
Truth can be stranger than fiction, and that’s something Hats Off Gentlemen It’s Adequate embrace on their latest album, The Uncertainty Principle . Moving away from sci-fi and exploring themes of science and human interaction, Malcolm Galloway and Mark Gatland explain why they took a deep dive into the history books to uncover tales of scientists, spies and nuclear bombs.
It remains a mystery: not why Alfred Brendel took a tortoise on a lead to a concert at the Musikverein in Vienna in the 1950s – although that is a fact of his life that ought to be better known – but
WHILE MOST DUAL-GUITAR bands tend to have designated roles in terms of what kind of sonic space their members occupy, Momma six-stringers Etta Friedman and Allegra Weingarten enjoy being unrestricted,
New Generation Publishing 379pp (hb) £18.99 The ambition of Will Fraser’s debut novel is never in doubt. Weaving together sometimes self-conscious observations about the nature of music with slow-burn