Hybrid thinking

Richard Barrett is on a mission to make you a better blues player – with full audio examples and backing tracks

LAST MONTH, I discussed some of the advantages of playing in a power trio, such as the open harmonic canvas that it affords me as a guitar player. “Threw Me to the Wolves” is a song of mine that prese

ONE OF THE coolest and most badass-sounding things a guitarist can do is double a long, complex bass line an octave higher. This was my approach for the song “Dean Town,” which I recorded with Vulfpec

On entering a room containing a piano, what pianist doesn’t turn white at the command, ‘You can play – let’s hear you!’ You thought you were visiting friends, not giving a performance, so of course yo

Back in issue 532, Dave Burrluck had a bag of bits he hoped to turn into a guitar. Well, we’re still waiting…

A STAPLE OF many great country and country rock songs — and, in the hands of Jimmy Page and Albert Lee, rock songs — is the sound of the B-bender. For those unfamiliar, a B-bender is a string-pulling